Sok Ho Song (송석호) is a Korean-born, New York–based artist whose interdisciplinary practice explores migration, militarization, labor, and cultural memory. Working with garments, uniforms, and textiles as repositories of lived experience, he employs graphite transfer printing, folding, and layered textile processes to examine absence, transformation, and the lingering traces of personal and collective histories. Song received his MFA from the Yale School of Art in 2026 and recently completed work on a large-scale textile installation for the 2026 Venice Biennale.

Second Skin is a series of graphite transfer prints developed during the Where Legacy Meets Innovation Artist Residency at Brandywine Workshop and Archives with master printer Alexis Nutini of Dos Tres Press. The graphite transfer process strips camouflage from military garments as they pass through the press, leaving behind ghostlike impressions of clothing and the body. Woodcut camouflage patterns derived from Korean and American military uniforms are reintroduced as layered abstractions informed by the markings of frogs, tigers, eels, and pythons. The prints transform camouflage from a functional pattern into a meditation on visibility, erasure, and the ways identity is constructed and concealed.