TEFAF New York 2026: Booth 358

Park Avenue Armory, 15 - 19 May 2026 

Tina Kim Gallery returns to TEFAF New York with a selection of artists from our program who helped define the postwar period of Korean art, as well as other influential figures from the twentieth century and beyond.

 

Our booth will highlight pioneering Dansaekhwa figures Park Seo-Bo (1931–2023) and Kwon Young-Woo (1926–2013), with a special focus on Ha Chong-Hyun (b.1935). In anticipation of Ha’s first-ever North American museum retrospective—set to open at the Asian Art Museum of San Francisco this September—our presentation includes early and recent examples of the artist’s acclaimed Conjunction series. Additionally, the hyperrealistic water droplet paintings of Kim Tschang-Yeul (1929–2021) will be featured along with the work of fiber artist Lee ShinJa (b. 1930), who joined Tina Kim Gallery in 2024 and had her first North American institutional solo exhibition this past year at the Berkeley Art Museum and Pacific Film Archive.

 

Accompanying this selection, our booth will present a curated assemblage of works by acclaimed twentieth-century and contemporary artists, including the liminal, fog-veiled landscapes of Kibong Rhee (b. 1957), small paintings and sculptures by French American artist Louise Bourgeois (1911–2010), and the minimalist stone-carved forms of Japanese American sculptor Minoru Niizuma (1930–1998).

 

Our presentation also includes a work from the Door to Life series produced by Filipina American artist Pacita Abad (1946–2004), inspired by her trip to Yemen in the spring of 1998. More works from this series are currently on view in our gallery exhibition, Pacita Abad: Door to Life, further shedding light on the artist’s vibrant and multicultural oeuvre.

  • Featured Works

    • Pacita Abad Resuscitation, 1997 Oil and painted cloth stitched on canvas 40 x 40 x 1 in 101.6 x 101.6 x 2.5 cm Framed: 41 x 41 x 2 in 104.1 x 104.1 x 5.1 cm
      Pacita Abad
      Resuscitation, 1997
      Oil and painted cloth stitched on canvas
      40 x 40 x 1 in
      101.6 x 101.6 x 2.5 cm
      Framed:
      41 x 41 x 2 in
      104.1 x 104.1 x 5.1 cm
    • Louise Bourgeois POINT OF CONTACT, 1967–1968 Bronze, golden brown, and polished patina 3 1/2 x 10 1/4 x 5 1/2 in 8.9 x 26 x 14 cm
      Louise Bourgeois
      POINT OF CONTACT, 1967–1968
      Bronze, golden brown, and polished patina
      3 1/2 x 10 1/4 x 5 1/2 in
      8.9 x 26 x 14 cm
    • Ha Chong-Hyun Conjunction 14-280, 2014 Oil on hemp cloth 63 3/4 x 51 1/8 in 162 x 130 cm
      Ha Chong-Hyun
      Conjunction 14-280, 2014
      Oil on hemp cloth
      63 3/4 x 51 1/8 in
      162 x 130 cm
    • Kim Tschang-Yeul Recurrence, 1989 Watercolor, acrylic, and India ink on Korean paper mounted on canvas 24 x 48 in 61 x 121.9 cm Framed: 25 x 49 x 2 in 63.5 x 124.5 x 5.1 cm
      Kim Tschang-Yeul
      Recurrence, 1989
      Watercolor, acrylic, and India ink on Korean paper mounted on canvas
      24 x 48 in
      61 x 121.9 cm
      Framed:
      25 x 49 x 2 in
      63.5 x 124.5 x 5.1 cm
    • Kwon Young-Woo Untitled, c. 1970s Korean paper on panel 28 x 23 x 1 in 71.1 x 58.4 x 2.5 cm Framed: 30 3/8 x 25 5/8 x 2 in 77.2 x 65.1 x 5.1 cm
      Kwon Young-Woo
      Untitled, c. 1970s
      Korean paper on panel
      28 x 23 x 1 in
      71.1 x 58.4 x 2.5 cm
      Framed:
      30 3/8 x 25 5/8 x 2 in
      77.2 x 65.1 x 5.1 cm
    • Lee ShinJa Mountain of Elegance, 1987 Wool thread; tapestry 41 1/4 x 58 1/2 in 104.8 x 148.6 cm Framed: 43 x 60 x 1 7/8 in 109.2 x 152.4 x 4.8 cm
      Lee ShinJa
      Mountain of Elegance, 1987
      Wool thread; tapestry
      41 1/4 x 58 1/2 in
      104.8 x 148.6 cm
      Framed:
      43 x 60 x 1 7/8 in
      109.2 x 152.4 x 4.8 cm
    • Minoru Niizuma (1930–1998) Castle of the Eye III, c.1985 Portuguese Marble 16.5 x 14 x 14 inches 41.9 x 35.6 x 35.6 cm
      Minoru Niizuma (1930–1998)
      Castle of the Eye III, c.1985
      Portuguese Marble
      16.5 x 14 x 14 inches
      41.9 x 35.6 x 35.6 cm
    • Park Seo-Bo Ecriture No. 54-77, 1977 Pencil and oil on canvas 31 5/8 x 45 3/4 x 1 in 80.3 x 116.2 x 2.5 cm
      Park Seo-Bo
      Ecriture No. 54-77, 1977
      Pencil and oil on canvas
      31 5/8 x 45 3/4 x 1 in
      80.3 x 116.2 x 2.5 cm
    • Kibong Rhee Deeper than Emptiness, 2026 Acrylic and polyester fiber on canvas 55 x 55 in 139.7 x 139.7 cm Framed: 56 x 56 x 3 in 142.2 x 142.2 x 7.6 cm
      Kibong Rhee
      Deeper than Emptiness, 2026
      Acrylic and polyester fiber on canvas
      55 x 55 in
      139.7 x 139.7 cm
      Framed:
      56 x 56 x 3 in
      142.2 x 142.2 x 7.6 cm