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Artworks

Pio Abad, I am singing a song that can only be born after losing a country, 2023
Pio Abad, I am singing a song that can only be born after losing a country, 2023

Pio Abad

I am singing a song that can only be born after losing a country, 2023
Colored pencil and carbon transfer on paper
74 3/4 x 98 3/8 x 4 in
190 x 250 x 10 cm
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I am singing a song that can only be born after losing a country (2023) is a to-scale drawing of a key artifact from the founding collection of the Ashmolean...
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I am singing a song that can only be born after losing a country (2023) is a to-scale drawing of a key artifact from the founding collection of the Ashmolean Museum in Oxford. Composed of three deer skins sewn together and embellished with seashells, the so-called Powhatan’s Mantle is believed to have been a gift from Wahunsenacawh, an Indigenous North American chief, and marks one of the earliest known encounters with British colonialists. Abad focuses on the object’s underside, using carbon paper and red pencil to trace and replicate the wrinkles and texture from a photograph of the animal hide. The result is an abstract line drawing that resembles a map or topography of an unnamed territory. As its title, adapted from a poem by Joy Harjo, the first Native American Poet Laureate of the United States, suggests, it is simultaneously a detailed transcription of the object itself and a lament for the histories of genocide and dispossession it holds.
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Provenance

This work by Pio Abad ( (b. 1983, Manila; lives and works in London) is a highlight of the artist’s presentation in the 61st International Art Exhibition of La Biennale di Venezia, titled In Minor Keys and organized by late curator Koyo Kouoh. Abad was selected to present an installation of new and recent works in the Central Pavilion in the Giardini della Biennale that highlight the artist’s interest in probing colonial museum collections and contemporary narratives. Also featured in the In Minor Keys are larger scale drawings, including I am singing a song that can only be born after losing a country (2023), which references artifacts housed in Ashmolean Museum’s collection.


In this work, Abad reproduces at scale four deer skins, sewn into a cloak and embellished with seashells. A gift from the paramount chief of the Powhatan people, the object represents one of the earliest known encounters between Indigenous peoples of North America and British colonists. 

Exhibitions

61st International Art Exhibition of La Biennale di Venezia, In Minor Keys by Koyo Kouoh, 2026. 
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