Lee Seung Jio
162 x 130.5 cm
Provenance
The artist's estate
Exhibitions
Special Prize, 18th National Art Exhibition, The National Museum of Modern Art, Gyeongbokgung, Seoul, Korea, 1969.
Interchange Exhibition of Seoul & Busan Artists, Lady Gallery at Seoul Bank, Busan,
Korea, 1971.
Commemorative Exhibition of the Opening of the New Museum: Korean Art Today,
The National Museum of Modern Art, Gwacheon, Korea, 1986.
Lee Seung Jio, Hoam Gallery, Seoul, Korea, 1991.
A Groping for the Identity of Contemporary Korean Art II: A Period of ‘Reduction’ and
‘Expansion’, Hanwon Gallery, Seoul, Korea, 1991.
Lee Seung Jio 1968-1990, Total Museum of Contemporary Art; Gallery Hyundai,
Seoul, Korea, 1996.
Special Exhibition of Late Lee Seung Jio, Busan Museum of Art, Busan, Korea, 2000.
Korean Contemporary Art from the mid-1960s to mid-1970s: A Decade of Transition and Dynamics, The National Museum of Contemporary Art, Gwacheon, Korea, 2001.
Daegu Art Museum Opening Exhibition: Qi is full(氣 Life Energy), Daegu Art Museum,
Daegu, Korea, 2011.
Lee Seung Jio: Advancing Columns, National Museum of Modern and Contemporary
Art, Gwacheon, Korea, 2020.
Literature
Lee Seung Jio 1968-1990 (Seoul: Total Museum of Contemporary Art, Korea, 1996),
46.
Kang, Soo-jung. Korean Contemporary Art from the mid-1960s to mid-1970s: A
Decade of Transition and Dynamics (Seoul: The National Museum of Contemporary
Art, Korea, 2001).
Kim, Mi-Jung. “Korean Geometric Abstract Art in the late 60’s and the Summon of Nature Thereafter,” Korean Bulletin of Art History, no. 43 (December 2014), 7-38.
Choi, Jeong Ju. “A Study on Lee Seung-jio’s Abstract Painting of ‘Reality and Unreality’,” Art Education Review no.60 (2016), 333-360.
Choi, Jeong Ju. “Lee Seung-jio’s ‘Nucleus’ Series: The Multifacetedness of Geometric
Abstract Art,” (PhD diss., Hongik University, 2018).
Lee Seung Jio: Advancing Columns (Seoul: National Museum of Modern and
Contemporary Art, Korea, 2020), 186.
