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Maia Ruth Lee: The skin of the earth is seamless

Past exhibition
6 April - 6 May 2023
  • Installation Views
  • Press release
  • News
  • Videos
Installation Views
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Open a larger version of the following image in a popup: Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Installation view of Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery, New York (April 6 – May 6, 2023). Courtesy of Tina Kim Gallery. Photo by Charles Roussel.
Press release

Tina Kim Gallery is pleased to present The skin of the earth is seamless, a solo exhibition of works by Busan-born, Colorado-based artist Maia Ruth Lee (b. 1983). For her first exhibition with the gallery, Lee debuts a series of paintings, sculptures, and video, all developed over the course of the past year. These works expand on Lee’s Bondage Baggage series (2018-ongoing), born out of the artist’s longstanding concerns surrounding the physical, psychological, and emotional experiences of a diasporic migratory life. The works included in the exhibition speak to the potentiality of healing and transformation that could take place despite or rather, through mobility and rootlessness. Through abstraction, Lee’s work fluctuates between states of being settled and states of change.

 

All works presented in this exhibition stem from a material process that is at once tactile and painterly. The Bondage Baggage sculptures were originally developed in reference to the luggage seen on conveyor belts at the  international airport in Kathmandu, where the artist spent her childhood. As objects that witness and endure limitations of physical borders, the parcels appear to the artist as containers of stories and ideas. Linen, clothing, and used materials are bunched together, covered with plastic, tarps, burlap or canvas, then meticulously fastened with rope-like cord in order to create the sculptures. The soft surfaces of these bundles often bulge and strain, evoking the fundamentals of containment and constraint, but also that of fortitude and resilience. Installed throughout the galleries, the physical qualities of these works evince notions of self-preservation, protection, and manifestation.

 

Some Bondage Baggage sculptures do not remain in these forms. The canvas layer of the sculptures is painted in ink and left to seep around and through the ropes. These ropes are then cut, allowing the “skin” of the sculptures to be unfurled, revealing Lee’s Bondage Baggage paintings. Summoning the appearance of leather or aging skin, each painting reveals track-like imprints that evidence the act of bondage performed on it previously. Although creases and traces are visible, they maintain an energetic, almost entropic charge. Often structured as burst-like compositions, the paintings seemingly radiate from an internal center outward. Describing these works as “vital embodiment of change, mutation, and growth,” the artist has conceptualized these paintings as visceral expressions of expansion and aliveness. These paintings stand in contrast to the second sculptural series on view: empty, shell- like “pods” that are suspended and scattered within the gallery space. Made from the discarded ropes cut away from the body of the original Bondage Baggage sculptures, these works can be seen as the exoskeletal structure shed during the work’s metamorphosis. Remaining as fragile subjects, they bear only the vestiges of the items they once served to protect.

 

The exhibition’s title refers to a quote in writer Gloria Anzaldúa’s 1987 text “Borderlands/La Frontera.” Although Anzaldúa likens having a diasporic identity to having an open wound, she writes that “the skin of the earth is seamless, the sea cannot be fenced, el mar does not stop at borders.” In “The Letter,” a new video that Lee made for the exhibition, she stitches together footage of old family videos shot by her father in her rural hometown of Nepal. Subtitled with text from Lee’s personal letters written between 2020 through 2022, the seemingly mundane moments captured in the video provoke questions and concerns surrounding the home, family, spiritual inheritance, language, and translation. A tender and poignant portrait of one’s interior self, the exhibition centers migration as a generative, powerful force for creation.

 

ABOUT THE ARTIST

Maia Ruth Lee has held solo exhibitions at the Museum of Contemporary Art Denver (CO), Francois Ghebaly Gallery (LA), and Jack Hanley Gallery (NY). Lee has participated in numerous group exhibitions including the Aspen Art Museum (CO), 2019 Whitney Biennial, Whitney Museum of American Art, Helena Anrather Gallery, CANADA gallery, Studio Museum 127, Salon 94 in New York, and Overduin & Co. Gallery, and Roberts & Tilton Gallery in Los Angeles. Lee attended Hongik University in Seoul, and the Emily Carr Institute of Art and Design in Vancouver, Canada. Lee was the recipient of the Gold Art Prize in 2021 and the Rema Hort Mann grant in 2017. Her work is held in the public collections at the Whitney Museum of American Art.

 

ABOUT TINA KIM GALLERY

Founded in New York in 2001 by Tina Kim and located in Chelsea, Tina Kim Gallery is celebrated for its unique programming that emphasizes international contemporary artists, historical overviews, and independently curated shows. With the gallery’s strong focus on Asian contemporary artists, Tina Kim has become a leading figure in introducing the Korean Dansaekhwa art movement to the American audience. Furthermore, she has created a platform for emerging and renowned artists such as Lee Seung Jio, Pacita Abad, Kim Tschang-Yeul, Tania Pérez Córdova, Minouk Lim, Davide Balliano, and Suki Seokyeong Kang. Through its programming, the gallery works closely with internationally renowned curators for special exhibitions and produces scholarly art publications.

 

SALE INQUIRIES
inquiries@tinakimgallery.com

+1 (212) 716-1100

 

PRESS INQUIRIES

Diana Lee | Media & Artist Relations

diana@tinakimgallery.com

+1 (212) 716 1100

News
  • Artist Maia Ruth Lee on Finding Meaning in Rootlessness

    Artist Maia Ruth Lee on Finding Meaning in Rootlessness

    The Amp May 30, 2023
    For artist Maia Ruth Lee, migration has been a constant since childhood. Born in Busan, South Korea, Lee’s first experience being uprooted happened when her...
    Learn More
  • Maia Ruth Lee’s ambiguities in “The skin of the earth is seamless”

    Maia Ruth Lee’s ambiguities in “The skin of the earth is seamless”

    ArtAsiaPacific May 10, 2023
    For those who have spent time at an airport’s baggage reclaim in a South or Southeast Asian country, Maia Ruth Lee’s exhibition at Tina Kim...
    Learn More
  • Maia Ruth Lee Transforms the Materials of Migration

    Maia Ruth Lee Transforms the Materials of Migration

    Hyperallergic May 2, 2023
    The artist draws inspiration from her own migration to consider both the confinement and freedom associated with a life in motion. — In The skin...
    Learn More
  • A Tension in Paint Befitting Our Times

    A Tension in Paint Befitting Our Times

    Hyperallergic April 19, 2023
    Shortly after I went to see the exhibition Maia Ruth Lee: The skin of the earth is seamless at Tina Kim Gallery (April 6–May 6,...
    Learn More
  • Inside Maia Ruth Lee's Solo Exhibition at Tina Kim Gallery

    Inside Maia Ruth Lee's Solo Exhibition at Tina Kim Gallery

    Women's Wear Daily April 12, 2023
    The morning after the opening of her solo exhibition “The skin of the earth is seamless,” Maia Ruth Lee was back at Tina Kim Gallery...
    Learn More
Videos
  • Maia Ruth Lee: The skin of the earth is seamless

    Maia Ruth Lee: The skin of the earth is seamless

    Exhibition Walkthrough Video with Maia Ruth Lee Read more

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