The eclectic artist Pacita Abad received her first retrospective last year, organised by the Walker Art Center in Minneapolis, where it was first shown.
The exhibition travelled to San Francisco Museum of Modern Art (SFMOMA) and MoMA PS1 in New York, where the artist's work is on view until 2 September. The survey will conclude at the Art Gallery of Ontario (AGO) in Toronto this October.
While Abad has been celebrated in recent exhibitions, including Adriano Pedrosa's 60th Venice Biennale, which welcomes 'foreigners', Abad's work was not always acknowledged.
When she settled in San Francisco in 1970, urged by her parents to leave the Philippines after leading student protests against the Marcos regime, she did not intend to become an artist.
Her mediums, notably quilting and needlework, rustic materials, and vital palettes, derive from a lifetime of travel to over 60 countries, including longer stays in Indonesia, Singapore, and Mexico, and exchanges with artists and artisans in each region. At the time, critics dismissed this difference as 'naïve, childlike, and ethnic', according to SFMOMA.
'I always see the world through colour, although my vision, perspective, and paintings are constantly influenced by new ideas and changing environments,' Abad explained.
—Elaine YJ Zheng
