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Ha Chong-Hyun: Light Into Color: Château La Coste | Renzo Piano Pavilion

Forthcoming exhibition
22 June - 1 September 2025
Ha Chong-Hyun, Conjunction 22-66, 2022
Ha Chong-Hyun, Conjunction 22-66, 2022
Ha Chong-Hyun, Conjunction 22-66, 2022

Ha Chong-Hyun

Conjunction 22-66, 2022
Oil on hemp cloth
89 3/8 x 71 5/8 in
227 x 182 cm
150 HO
문의
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더 많은 이미지

  • (View a larger image of thumbnail 1 ) Ha Chong-Hyun, Conjunction 22-66, 2022
  • (View a larger image of thumbnail 2 ) Ha Chong-Hyun, Conjunction 22-66, 2022
  • (View a larger image of thumbnail 3 ) Ha Chong-Hyun, Conjunction 22-66, 2022
Conjunction 22-66 is part of Ha Chong-Hyun’s hallmark Conjunction series, in which he pushes thick paint through the back of his loosely woven hemp canvases, creating a texture that is...
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Conjunction 22-66 is part of Ha Chong-Hyun’s hallmark Conjunction series, in which he pushes thick paint through the back of his loosely woven hemp canvases, creating a texture that is entirely unique to Ha’s practice. The term “conjunction” references the unmediated meeting of the two most important elements of the artist’s physical practice - his method and his materials, and has been a decades-long project for the artist. Ha Chong-Hyun first began making his Conjunction paintings in the 1970s in Post-War Korea, where his use of hemp, a functional fabric used to transport goods throughout the war and reconstruction, distinguished his work from the traditional Western canvas. Ha Chong-Hyun is a pioneering member of the Korean Dansaekhwa, or “Monochrome”, movement, and has spent his career engaging with discourse around institutional critique and advocating for the young Korean avant-garde.
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