Chung Seoyoung’s most recent work Red (2024) began with the artist’s vivid memory of encountering writer Charlotte Brontë’s dress displayed at the Morgan Library in New York. To be conceived as having belonged to a living person, the dress seemed too peculiar in size, thereby the experience generated a new relationship between the subject of the dress and the artist's body. This strange encounter lingered within the artist, creating an intense urge “to make something from what I've seen and what I know, but at the same time, has no meaning.”