Lee ShinJa's artistic practice is defined by her exceptional mastery of both dyeing and weaving. Destination I exemplifies a striking fusion of vibrant dip dyeing techniques and intricate stitching, showcasing both her technical and creative prowess. This piece is one of the rare wearable art works she created during her lifetime and reflects her deep interest in the sculptural and kinesthetic possibilities of textiles. The work also embodies the influence of artists like Issey Miyake, whose designs left a significant impression on Lee after they met a few years prior to the creation of this piece.

Lee's wearable artworks, including Prince of the Forest (1987), were notably featured in the landmark "Art to Wear" exhibition at the National Museum of Modern and Contemporary Art (MMCA) in 1988. Lee's career had reached its peak by the 1980s, and it was a period marked by international exposure and creative growth. During this time, the travel ban in Korea was lifted, allowing Lee to engage with the broader global fiber arts community. This newfound access led to significant meetings with influential artists, including the renowned Japanese designer Issey Miyake and Polish artist Magdalena Abakanowicz, both of whom left a lasting impact on her work. The late 1980s became a defining era, with Lee's practice expanding through these global connections and exchanges.